Devotees of Taiwan auteur Tsai Ming-liang, and gay auds in search of campy exotica, may get their jollies from “The Wayward Cloud,” but there’s not much of a silver lining for anyone else in ...

"The Wayward Cloud" Remains WaywardIn an article for indieWIRE’s Top 10 Undistributed Films of 2005 — yes, that’s 2005 — I wrote, “Tsai Ming-liang belongs to that category of rarefied ...

The first Tsai Ming-liang film I’ve disliked recycles its predecessors’ main actors (Lee Kang-sheng, Chen Shiang-chyi), physical elements (water, Taipei), themes (loneliness, alienation), and ...

His “The Wayward Cloud” won a prize in Berlin in 2005, while “Visage” (Face) became the first film to be included in a Louvre Museum collection. Over the years Tsai’s connections with ...

A restored version of Tsai’s 2005 altogether different “The Wayward Cloud,” also plays in Berlin this week. It is a colourful allegory mixing up pornography, a drought and fresh fruit.

Grasshopper Film has unveiled a US trailer for the film Days, the latest work from Taiwan-based filmmaker Tsai Ming-liang (Goodbye Dragon Inn, Stray Dogs, The Wayward Cloud).

Tsai Ming-Liang shoots this "love that dares not speak its name" kind of story with profound tenderness and erotic subtleness, which is clearly opposed to his previously hard-core musical The Wayward ...

His “The Wayward Cloud” won a prize in Berlin in 2005, while “Visage” (Face) became the first film to be included in a Louvre Museum collection.